AUDIO-SAMPLES
PLAYFUL DEVIL ( mix 1)
PLAYFUL DEVIL ( mix 2)
PLAYFUL DEVIL (mix 3)
PLAYFUL DEVIL (mix 4, Space enhance on master fader)
PLAYFUL DEVIL (mix 5)
PLAYFUL DEVIL (mix 6) raised G fills -21 to -14 then lowered harmonies back to -21
PLAYFUL DEVIL (mix 7) reset G fill volume -14 to -11/-21 to -14
PLAYFUL DEVIL (mix 8 , lowered ride)
FLY BY NIGHT (mix 37, fixed HH and SN)
FLY BY NIGHT (MIX 36, same as 32 but fixed Cymbal channels)
FLY BY NIGHT (mix 33) no SP Max on Master fader
FLY BY NIGHT (mix 32 W/SPACE ENHANCE)
FLY BY NIGHT (mix 31 , 1/19 adjusted overall instrument volumes and fixed drum fills)
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UPPER WEST SIDE w/CLICK
MASTERING: Louder
LIGHTER THAN AIR (master 1 trk 1 .wav)
LIGHTER THAN AIR (master 1 trk2 .wav)
LIGHTER THAN AIR ( MASTER 1, trk3 .wav)
MIST
Lighter Than Air (low synth mix5 4/6/24 #8 -quack ,-solo , -1st solo note)
Lighter Than Air (low synth mix4 4/6/24 #7 -quack ,-solo , -1st solo note)
Lighter Than Air (low synth mix 3 4/6/24 -quack ,-solo))
Lighter Than Air (low synth mix 5)
Lighter Than Air (low synth mix 4)
LIGHTER THAN AIR
Lighter Than Air (low synth low gr700)
Lighter Than Air (low synth low gr700)
Lighter Than Air (lowSynth LowGR700)——————
OUTSIDE BLUES (mix 26. fixed cym. biught up HH and ride vol/ride chg to bell tip)
OUTSIDE BLUES (bix 25, increased HH vol -4.9 to -1)
OUTSIDE BLUES (mix 24) fix cym / trim G solo hot points
OUTSIDE BLUES (mix 23) muted G solo RM due to noise
OUTSIDE BLUES (mix 22) fixed drum fills /eq g solo CL
OUTSIDE BLUES (mix 21) brought up cym vol
OUTSIDE BLUES (mix 19, 1/26; lowered cowbell on couple of beats on chorus before solos)
OUTSIDE BLUES (mix 18, 1/23; fixed intro and somes fills).
OUTSIDE BLUES ( mix 17, 1/22; fixed fills at 55 and 120)
OUTSIDE BLUES (mix 16 , 12/22; lowered first bass note fixed fill befor chorus on A2)
OUTSIDE BLUES (mix 15, 12/22; added to sn drum stack and fixed fill at 17 (sd3), and reworked first measure)
OUTSIDE BLUES (mix 14, 12/21; fixed fills, removed sn drum stack)
OUTSIDE BLUES (mix 13, 12/21; removed spatial max from guit solo, lowered Mel vol 1 pt.,
OUTSIDE BLUES (mix 12, 12/21; put spatial max on rev mel and rev solo, fixed clipping notes)
OUTSIDE BLUES ( mix11 12/21, raised Mel -17 to -16, solo -17.8 to -16.5)
outside blues (mix 7, 12/21; lowered spatial enhancer)
OUTSIDE BLUES (mix 6, 12/19; added master fader lvl, comp, spa tail, lowered sn. 1.5 points, deleted the little finger slide on Mel. )
OUTSIDE BLUES (mix 4, 12/19; added to stack on sn. drum, bass vol -10.5 – -8.5, raised bass drum vol
OUTSIDE BLUES ( mix 3, 12/19; fixed drum fills)
OUTSIDE BLUES ( mix 2 ,12/19 fixed solo and Mel guitar)
OUTSIDE BLUES (mix 1, 12/16)
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UPPER WEST SIDE (188, inserted snare rimshot anticioation on back beat)
UPPER WEST SIDE (mix 187, g solo low 1st beat, outro lowered 1/2 db
UPPER WEST SIDE (mix 186, G mel2 vol up 1 db from -17,5/-24/-24. G solo up 1 db from -14/-12.2/-14.
UPPER WEST SIDE (mix 185 4/9/25, fixed drums lowered G solo
UPPER WEST SIDE (mix 182. 4/8/25 created Mel 2 trks, lowered mel 2 and chr)
UPPER WEST SIDE ( mix 181 , 1/26; adjusted sn on vrs before solo on even numbered measures to favor more left)
UPPER WEST SIDE (mix 180, 1/26; removed dbl sn hits on vrs before solos and kept and adjusted dbl sn hits on vrs after solo)
UPPER WEST SIDE (mix 179; 1/22, added rimshot to snare on 4th beat of 2nd beat on every other measure of A section on melody).
UPPER WEST SIDE (mix 178 LTD, 12/15, lowered loud fl. Tom’s to 80)
UPPER WEST SIDE (mix 178, 12/15, lowered loud fl. Tom’s to 80)
UPPER WEST SIDE (mix 177 LTD 12/11, lowered fl Tom vol on fills)
UPPER WEST SIDE (mix 177, 12/11, lowered fl Tom vol on fills)
UPPER WEST SIDE (mix 176LTD-2, 12/11; raised HH vol on A beat 2&4, removed crash on out- head A2)
UPPER WEST SIDE (mix 176-2, 12/11; raised HH vol on A beat 2&4, removed crash on out- head A2)
UPPER WEST SIDE (mix 175,12/10; deleteHH closed tip , put closed pedal on 2 & 4 on vrs)
UPPER WEST SIDE ( mix 174 12/10; lowered cym 3&4, lowered audio on guit solo where popped out in 2nd phrase)
UPPER WEST SIDE ( mix 174 LTD, 12/10; lowered cym 3&4, lowered audio on guit solo where popped out in 2nd phrase)
UPPER WEST SIDE (mix 173 LTD 12/9; added new bass guit track
UPPER WEST SIDE ( mic 173 LTD 12/9; added new bad guit track)
UPPER WEST SIDE (mix 172, 12/8; HH max straight 8ths)
UPPER WEST SIDE ( mix 172 LTD, 12/8; HH made straight 8ths)
UPPER WEST SIDE ( mix 171 , 12/7;lowered HH close tip 96-85 on SD3)
UPPER WEST SIDE (mix 171 .12/7;LTD- lowered HH close tip 96-85 on SD3)
UPPER WEST SIDE (mix 170LTD 11/26 , changed closed edge HH to Closed Tip)
UPPER WEST SIDE ( mix 170LTD 11/26 , changed closed edge HH to Closed Tip)
UPPER WEST SIDE (Mix 169LTD 11/22, raised HH DP3 -20 – -17)
UPPER WEST SIDE (Mix 169 11/22, raised HH DP3 -20 – -17)
UPPER WEST SIDE (mix 168LTD, 11/22, lowered HH Closed Tip 106 – 59 thru put song)
UPPER WEST SIDE (mix 168, 11/22, lowered HH Closed Tip 106 – 59 thru put song)
UPPER WEST SIDE ( mix167LTD 11/22 triplet HH feel A section)
UPPER WEST SIDE mix 167 no limiter 12/22; triplet feel on HH A section)
UPPER WEST SIDE (mix 166, NO LIMITING, 11/21, fixed ride cym at end and on B section)
UPPER WEST SIDE (mix 166LTD , 11/21, fixed ride cym at end and on B section)
UPPER WEST SIDE ( mix 164 LTD, 11/19, w/ hard limiter)
UPPER WEST SIDE (mix 164 no limiter, 11/19, removed click on beat 1 2nd verse, raised HH -.20 – -19)
UPPER WEST SIDE (mix 163, 11/19; HH -20 to -16.5, no hard limit)
UPPER WEST SIDE (mix 162,
UPPER WEST SIDE (mix 161, 11/19; simpler HH)
UPPER WEST SIDE (mix 160, 11/18; deleted rack Tom’s on 4th measure of each phrase an A section)
UPPER WEST SIDE (mix 159, 11/17; lowered sn drum , misted sticks)
UPPER WEST SIDE (mix 158, 11/17; replaced HH on A sections thru out, fixed Ride on chorus. )
UPPER WEST SIDE (mix 157 intro , A section)
UPPER WEST SIDE ( mix 156 w/o drums)
UPPER WEST SIDE (mix 155, 11/13; new HH, added sn beat, intro – 1st A section , sample only)
UPPER WEST SIDE (mix 154, 11:10; clean ride track)
UPPER WEST SIDE ( mix 152. ,11/10; re-recorded bass made B going to F# longer duration)
UPPER WEST SIDE (mix 151 , 11/10; new bass track (tk. 5) F# right on the beat)
UPPER WEST SIDE (mix 150, 11/9; cleaned up snare on chorus section)
UPPER WEST SIDE (mix 149, 11/9; laid down new bass track w/ F# on the beat instead of anticipated)
UPPER WEST SIDE (mix 148, 11/9; BSdrumHit velocity 125-97; SnEdge velocity 87-67).
UPPER WEST SIDE (mix 147 11/9; BsDrmHit velocity 85-125, SnEdge 57-89)
UPPER WEST SIDE (mix 146 , 11/8; simplified bass guit.)
UPPER WEST SIDE (mix 145 AB1 master)
UPPER WEST SIDE (mix 145, 11/5; relocated first guitar Mel phrase on A section
UPPER WEST SIDE (mix 143, 11/5; fixed bass where melody comes in)
UPPER WEST SIDE ( mix 142, 11/5; new bass guitar line)
(NO 139 or 140 or 141)
UPPER WEST SIDE (drum/bass only. Nov. 1, ‘24)
UPPER WEST SIDE ( mix 138, 10/31. Cleaned up drums a little)
UPPER WEST SIDE (mix 137 , 10/31 removed the 3 16th bass drum on end of every other measure
UPPER WEST SIDE (mix 136 , 10/31. Drum-upper west side 10_31. Simplified and moved beats to the “and” of 2/4.)
UPPER WEST SIDE ( mix 135 10/26; fixed share to match bass guitar)
UPPER WEST SIDE (mix 134 , 10/25; moved snare at end of each phrase1 to beat 4 from and of 4) on A sections)
UPPER WEST SIDE (133 10/22; touched up drum snare on chorus)
UPPER WEST SIDE (132 10/22; removed some “edge stack snare” drum beats)
UPPER WEST SIDE (mix 131 9/27/24 try 2 fixing 3 bass notes after solo)
UPPER WEST SIDE (mix 130 9/27/24 fixed bass ( 1st 3 notes) after solo)
UPPER WEST SIDE (mix 129 9/26/24 nudged A 1 section (after solo) to right as to line up better)
UPPER WEST SIDE (mix 128 9/23/24 try #2 to fix A1 section after solo)
UPPER WEST SIDE (mix 127 9/23/24 fixed timing on A1 section after solo)
UPPER WEST SIDE (mix 126 9/21/24 added Latin rhythm on A section)
UPPER WEST SIDE (mix 125 9/17/24 minor adjustment to drums).
UPPER WEST SIDE (mix 124 9/14/24 simplified drums)
UPPER WEST SIDE (mix 122 master comp active, no hard limiting)
UPPER WEST SIDE (MIX 121 bypassed master out compressor)
UPPER WEST SIDE (mix 120 confirmed all bass drum kicks are on anticipation of beat 1).
UPPER WEST SIDE (mix119 adjusted snare/bass anticipations.
UPPER WEST SIDE (mix 118 tweaked drums)
UPPER WEST SIDE mix 117
UPPER WEST SIDE 116
UPPER WEST SIDE 115
UPPER WEST SIDE 114
UPPER WEST SIDE 113
UPPER WEST SIDE #112
UPPER WEST SIDE. #110 snare down to -14.0
UPPER WEST SIDE. #109 snare @-11:00 from -18
UPPER WEST SIDE. Mix 108 .wav
UPPER WEST SIDE. 108 mp3
UPPER WEST SIDE (mix 107 raised 1st strike (3 on grid) of tight edge HH from 98 to 105)
UPPER WEST SIDE (mix 106 lowered 1st strike (3 on grid) of tight edge HH from 117 – 98)
UPPER WEST SIDE (mix 105 6/8, muted Spacial max, lowered Mel chr CL and DIR, lowered 1st part of solo)
UPPER WEST SIDE (mix 104 5/10, Master level- added spactial maximizer)
UPPER WEST SIDE (mix 103 5/9, master Lvl comp HI thrshold -34 to -27, mid theshold -24 to -26)
UPPER WEST SIDE (mix 102 5/8, G-synth Mel- Bypassed compressor & lowered GR and MG Leveler to remove pop)
UPPER WEST SIDE (MIX 101 5/7. raised Gsynth mel -16.5 to -14.7, reduced comp (CH2) makeup gain up threshhold)
UPPER WEST SIDE (mix 100 5/7. bite gain vol @ pt. 110 Gsynth Mel down to -15)
UPPER WEST SIDE (mix 97 5/7, piano -18 to -17.5, Korg #90 abyss -42.5 to 42.0, korg #00 flare -24.5 to 23.5, Gsunth Mel -14.5 to -15.0)
UPPER WEST SIDE (mix 96m2 5/5, same as m1 but haed limited-0.2
UPPER WEST SIDE (MIX 96m1 5/5, hard limited -0.1 RAISED BASS G-18.5/-26.1/-26.5 UP 1 PTRAISED SOLO SYNTH G UP 1 PT)
UPPER WEST SIDE (mix 94 5/5. raised gsolo (1st 8 bars( -10/-5.63/-6.87 to -9/-6.99/-6.14; raised golo ( last 2 bars) -14/-9.67/-7.6 t0 -8.5/-4.755/-5.82)
UPPER WEST SIDE (mis 93 5/4. gsolo raised at last 2 bars to -10.5).
UPPER WEST SIDE (MIX 92 5/24 GSOLO RAISED TO-10 to -14 (ch1/3))
UPPER WEST SIDE mix 91 5/4, gsolo ch2 added live room stereo, gsolo ch1 Rt. 25/ch 2 Left 25
UPPER WEST SIDE (mix 90, 5/2, adjusted sol brought up 1 db)
UPPER WEST SIDE (mix 89, afjusting Mel HI and solo see print out
UPPER WEST SIDE (mix 88 5/2, raised MelHi -13 – -12 (ch 1/3). solo up -14 – -13 (ch 1/3)
UPPER WEST SIDE (mix 87 5/2, raised MelHi and solo 1st 6 nars, lowed to -3.0 that 1st note beiginning 1st 3 phrases on solo
UPPER WEST SIDE (mix 86 5/2, raised HI mel vol vol , raised gsolo (1st 7 bars) -16 to -14)
UPPER WEST SIDE (mix 85 gsolo bit rate up to3.5 . lowered 1st note of solo bite rate adj bite level -.5. guit mel HI (1st ch) up to -14)
UPPER WEST SIDE (mix 84 5/2, Bs G -16/-15.4/-16.6 to -15/-14.4/-15.8, G Mel low-pan left 25 and Hi right 25, lowered Gsolo )11st 6 bars) bit rate audio to 3.0)
UPPER WEST SIDE (mix 83 5/1, G mel hi back to -14.9/-15.7/-16.2. g synth solo -16.5 to -16.0)
UPPER WEST SIDE (mix 82 5/1. raised Gsolo (1st bars .5 bite rate audio. raised gsoo synth -18 – -16.5. raised outro guit -15 – -14)
UPPER WEST SIDE (mix 81 5/1. solo guit (1st 7 bars up +3 on Audio bit rate, G mel synth _14.7 to -14.5)
UPPER WEST SIDE (MIX 80 4/30, G synth mel -19 to -14.5, g solo up tp -13.5 then to -16)
UPPER WEST SIDE (mix 79 4/30, raised hi mel -18 to -15, raised G solo vol -18 to -1, leave g synth mel @ -18)
UPPER WEST SIDE (mix 78 4/30, raised synth solo vol -19.0 to, reduced SN vol -16 to -18) part 2 to
UPPER WEST SIDE (mix 77 4/30. outro vol down to -15/-16/-12.1, mel (hi part) up to –18/-18/-15.9/-19.4)
UPPER WEST SIDE (mix 76 4/30, reduced G mel to -18.5/-25.1/-25.5 G SYN -19.2 G MEL -19.2/-20.6/-20.7, G SOLO TO -17/-10.2/-12.8 G SYN -19.5 )
UPPER WEST SIDE (mix 75 4/30, reduced Bass G to -14.0.-13.4/-14.6)
UPPER WEST SIDE (mix 74 4/30, reduced bass G vol from -6.2/-4.58/-5.8 to -10/-9.38/-10.6)
UPPER WEST SIDE (mix 36 4/29 lowered HH (DP10) fro. -15.98 to -17.0)
UPPER WEST SIDE (mix 34 4/24 randomized Bs drm & sn)
UPPER WEST SIDE (mix 33 3/31 – sn -14 to -16)
UPPER WEST SIDE (mix 32 3/27 .aif)
UPPER WEST SIDE (mix 32 3/27 same as 31 w/tweek drms @87)
UPPER WEST SIDE (mix 31 3/27 same as 30 w/ beat adj)
UPPER WEST SIDE (mix 30 3/26 bs drm to -10 to-9.00 sn -12.5to -14)
UPPER WEST SIDE (mix 29 3/26 add blk beauty sn stk)
UPPER WEST SIDE (mix 28 3/25 fixd drums)
UPPER WEST SIDE (MIX 27 3/19)
UPPER WEST SIDE (mix 26 3/19)
UPPER WEST SIDE (mix 25 3/19)
UPPER WEST SIDE (mix 24 3/18)
UPPER WEST SIDE (mix 23 3/18)
UPPER WEST SIDE (mix 22 3/18)
UPPER WEST SIDE (mix 21 3/18)
UPPER WEST SIDE (mix 20 3/12)
UPPER WEST SIDE (mix 19 3/12)
UPPER WEST SIDE (mix 18 3/7)
UPPER WEST SIDE (mix 17 3/7)
UPPER WEST SIDE (mix 16 3/5)
UPPER WEST SIDE ( mix 15 3/5)
UPPER WESST SIDE (MIX 14 3/5)
UPPER WEST SIDE (Mix 13 2/26)
UPPER WEST SIDE (MIX 12 2/26)
UPPER WEST SIDE (mix 11 no drums)
UPPER WEST SIDE (MIX 11 2/25)
UPPER WEST SIDE (MIX10 2/24)
UPPER WEST SIDE (Mix 9 2/24)
UPPER WEST SIDE (MIX8X ON THE BEAT)
UPPER WEST SIDE (MIX 7 2/22)
UPPER WEST SIDE (mix6 2/22)
UPPER WEST SIDE (work mix 4 2/21)
UPPER WEST SIDE (WORK1 2/21 NICKDRM)
UPPER WEST SIDE (mix 3 2/20/24 orig drm nudge left by1)
UPPER WEST SIDE (MIX2 2/19/24 0OL DRM TRK)
UPPER WEST SIDE (mix 1 2/19/24)
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ALONG CAME SUMMER (mix 143, used same drum pattern on solo verses as on head verses)
ALONG CAME SUMMER ( mix 142, simpler sn drum version, raised bass drm and sn drum).
ALONG CAME SUMMER (MIX 141 3/2/25, NO CONGA)
ALONG CAME SUMMER (MIX 141, 3/2/25, raised vol bass drum)
ALONG CAME SUMMER (mix 140FX LTD, 11/7/24, masterAB1)
ALONG CAME SUMMER ( mix 140, 10/19; fixed CB on bridge of solo section, replaced open edge HH on A section head (last 2 hits at end of phrase) with tight tip, w/o LTD)
ALONG CAME SUMMER ( mix 140, 10/19; fixed CB on bridge of solo section, replaced open edge HH on A section head (last 2 hits at end of phrase) with tight tip, w/ LTD)
ALONG CAME SUMMER (mic 139, 10/19; raised ac. Guit rhy. -30/-31 to -27/-28 w/o LTD)
ALONG CAME SUMMER (mic 139, 10/19; raised ac. Guit rhy. -30/-31 to -27/-28 w/LTD)
ALONG CAME SUMMER ( mix 138 10/19; w/o LTD)
ALONG CAME SUMMER (mix 138 , 10/19; fixed 4th & 5th phrase of bass guitar, w/ LTD)
ALONG CAME SUMMER (mix 137, 10/18, fixed bass guitar on A section before solos w/o limiting)
ALONG CAME SUMMER (mix 137, 10/18, fixed bass guitar on A section before solos with limiting)
ALONG CAME SUMMER (mix 136 10/17, re-recorded Bs and replaced quick E- to A7 w/ E and A or beat 3 & 4)
ALONG CAME SUMMER ( mix 135 10/16 lowered bass guit -20/-21 to -30/-31) on entire tune)
ALONG CAME SUMMER. (Mix 134 10/16 removed ac. Guit. In A section)
ALONG CAME SUMMER (mix 133 10/16 , removed ac. guitar completely)
ALONG CAME SUMMER (mix 132 10/16, removed kik beat on 3 in A section, lowered beat 2 vol on every other measure.)
ALONG CAME SUMMER (mix 131 10/15 , kik drm -5.5 to -8, conga -7.45 to -9)
ALONG CAME SUMMER ( mix 129 no bs guit)
ALONG CAME SUMMER ( mix 128 , 10/14 , Kik drum (DP10) from -9.46 to -5.50
ALONG CAME SUMMER (mix 127 10/13 fixed A section on bass Mel& solo so more on beat)
ALONG CAME SUMMER ( mix 126 10/13 fixed bass but still anticipating)
ALONG CAME SUMMER ( mix 125 10/13 BS GUIT vol to -12/-11/-8.7 ; CB vol -13 to -11.4)
ALONG CAME SUMMER (mix 124 10/13 Bass guit tk. 5 & lowered vol -10.5/-9.5/—7.2 to -13/-12/-9.7; cowbell (SD3) vol from -11.4 to -13.0
ALONG CAME SUMMER (mix 123 10/13 Bass guit tk. 1 , old A section drums)
ALONG CAME SUMMER (mix 122 10/13 Bass guit tk. 1 , old A section drums)
ALONG CANE SUMMER (mix 121 10/5/24 displaced HH open edge4 to be on beat 4 from “and” of 4)
ALONG CAME SUMMER ( mix 120 10/2/24, displaced conga to “and” of beat 4 on A section)
ALONG CAME SUMMER ( mix 119 9/29/24 nudged Sn & Bs drum some HH to on beat)
ALONG CAME SUMMER (mix 118 9/28/24 removed finger snaps)
ALONG CAME SUMMER (mix 117 9/28/24 updated A section sn and bass drum on verses ( used 10 to13 on grid)
ALONG CAME SUMMER ( mix 116 9/28/24 conga -7.46 to -5.50; HH +1.6 to 2.0)
ALONG CAME SUMMER (mix 115 9/28/24 adj conga upbeat A section at end of each measure)
ALONG CAME SUMMER ( mix 114 9/26/24) raised vol on bd drm and sn and finger snaps
ALONG CAME SUMMER ( mix 113 master comp active, no hard limiting)
ALONG CAME SUMMER ( mix 112 bypassed master out comp)
ALONG CAME SUMMER (mix 111 removed claps; added finger snaps).
ALONG CAMD SUMMER ( mix 110 eq’d hand clap.
ALONG CAME SUMMER ( mix 109 added hand clap to vrs. SN (DP)-6.27 to-6.20; SN(sd3) tape sim 21.1to 15.1.
ALONG CAME SUMMER (mix 108 (no107) inserted drum 6 to 12 into last vrs on heads
ALONG CAME SUMMER ( mix 106 (8/16) copied drum 6 – 12 and inserted to Vrs’s (AA) last A uses previous drum beat.
ALONG CAME SUMMER (mix 105
ALONG CAME SUMMER (mix 104 removed som HH open edge on A section of solo, fixed some fills
ALONG CAME SUMMER (mix 103 tweeted congas on B section of solo section).
ALONG CAME SUMMER (mix 102 raided fills at 101 going back to head from solo.
ALONG CAME SUMMER (mix 101 inserted conga from point. 38 into point 78
ALONG CAME SUMMER ( mix 100 trimmed conga on chorus.
ALONG CAME SUMMER (mix 99 displaced conga beat anticipation
ALONG CAME SUMMER ( mix 98 lowered HH open edge 81 to 75 ; repl. Solo vrs. W/ that of 14 to 21.
ALONG CAME SUMMER (mix97 raised HH vol sd3- 0 to 2.2; DP- 1.6 to 2.0 / lowered HH tight tip -73 to -57 on chorus.
ALONG CAME SUMMER ( mix 96 added intro HH To versas
ALONG CAME SUMMER ( mix 95 edited SN/BSdrm)
ALONG CAME SUMMER (mix 94 bs guit -12/-11/-8.7 to -14.5/-13.5/-11.3
ALONG CAME SUMMER (mix 93 Bs guit -10.5/-9.5/-7.2 to -12/-11/-8.7)
ALONG CAME SUMMER (mix 91 raised Bs&sn drm -9.4/-6.67 to -8.5/-6.2)
ALONG CAME SUMMER (mix 90 8/7/24) guit solo pt.1 boosted eq hi end
ALONG CAME SUMMER (mix 89 8/7/24) rewrote drum part , raised Sn and Bs drum on SD3
ALONG CAME SUMMER (mix 88 5/19/24 summer4x2); BS DRM vol DP -6.5 to -7.4, SN vol DP -4.20 to -4.80)
ALONG CAME SUMMER (mix 87 5/19/24Summer4x2, conga vol DP -9.46 to 8.0, SN DP -4.94 to 4.20, BS DRM vol DP -7.40 to -6.5)
ALONG CAME SUMMER ( mix 86 5/19/24, from Summer 4x 2 dsktp, HH eq up on SD3, crash1 added tape dist, Repl. Bs DRM with Bs. drm 14-17 grid, raised HH (all) vol 84-94 grid, raised CB voo 82-92 grid)
ALONG CAME SUMMER (mix 85 5/14/85: raised treble on EQ and adjusted comp. , raised cowbell )
ALONG CAME SUMMER (mix 84 5/14/84: removed bass drum beats on versus on 3rd beat of measure on SD3).
ALONG CAME SUMMER (mix 83 5/14/24, on SD3 Grid : raised cowbell 72 to 82 HH (tight tip) 73 to 80 on chorus and all HH 84 to 99
ALONG CAME SUMMER (mix 82 5/14/24, added special max to master level,adjusted HH at end of each verse).
AND THEN CAME SUMMER (mixRemix 5_11_24) to determine wher we left off on this take)
AND THEN CAME SUMMER (mix 79 4/30. added EQ toHH bs SD3)
AND THEN CAME SUMMER (mix 79, raised HH vol on DP from -4.71 t0 -.30)
AND THEN CAME SUMMER (mix 78 comp, same as mix 78 but added multi band comp)
AND THEN CAME SUMMER (mix 78 4/28, same as below except lowered BS DRM back to to -7.40 & SN DRM to 4.94)
AND THEN CAME SUMMER (mix 77,4/28, raised G solo vol Bit audio from 79 thru 83 to -1.5, lowered G solo vol bit audio -5 @ 90.75 to 93.5)
AND THEN CAME SUMMER (mix 76,4/28 Bs drm raised -7.40 to -6.50, sn raised from -4.94 to -2.80 lowed BS guitar -10.5 to-11.5/-9.5to-10.5/-7.20to-6.20, replaced original BS drm and Sn trk on verse with BS Drm/Sn trk or cell 10 to 17 0n SD# grid)
AND THEN CME SUMMER (MIX 75 same as 73, lowered all pre Bs drm hit from 72 to 15, replaces mix 74)
AND THEN CAME SUMMER (mix 73 same as tk 72 w/corrections raised mel +1 lowered Bass @ pt. 102-114
AND THEN CAME SUMMER 4X4_27 (MIX 72 revamped drums/conga)
AND THEN CAME SUMMER 4X.2 (mix 71 lowed Bs drm pre beat 3 to 15, @38,78,118. raised SN from -4.94 to -4.20)
AND THEN CAME SUMMER 4X.2 (mix 70 reduced BS drm,SN toms bleed to 10 0’clock)
AND THEN CAME SUMMER 4X.2 EXT HD (mix 69 g sol to -5 77.3 to 78.2 and to -3 @ 91 to 96.3)
AND THEN CAME SUMMER 4X.2 EXT HD (mix68 guit solo vol @97 up to-1 and up to -2 @ 98 to 100 and 77.3 to 78.2)
AND THEN CAME SUMMER 4X.2 EXT HD (mix 67 lowered guit solo vol @
AND THEN CAME SUMMER 4X.2 EXT HD (mix 66 lowered guit solo w/bit rate
AND THEN CAME SUMMER 4X.2 EXT HD (mix 65 same plus raused cowbell)
AND THEN CAME SUMMER 4X.2 EXT HD (mix 64 same + Guit Mel +1pt lowered Bs Guit at 102-114 Bit gain -1.5
AND THEN CAME SUMMER 4X.2 Ext HD (mix 63 same as 62 lowed congas 5 pts riased 5 pts mutedLeft 510 pts)
AND THEN CAME SUMMER 4X.2 EXT HD, MIX 62 lowed beat2 sn to 15 conga -10 pts)
AND THEN CAME SUMMER 4 (mix 61 lowered BD , SN)
AND THEN CAME SUMMER 4 (mix 60 adusted guit solo volumes
AND THEN CAME SUMMER 4 (mix 59 BD-9.5 SN-6.5 mute conga bs left 4/11)
AND THEN CAME SUMMER 4 *mix 58 +BS +SN conga=-16 4/11)
AND THEN CAME SUMMER 4 (mix 57 4/11 drm edit, addedhi boost guitar)
AND THEN CAME SUMMER (MIX 56 3/31 5x desktop from 5 March 14 mod)
AND THEN CAME SUMMER (mix 55 3/17 copy 5)
AND THEN CAME SUMMER (mix 54 3/17 copy 5)
AND THEN CAME SUMMER (mix 53 3/14 copy6)
AND THEN CAME SUMMER (mix 52 3/11)
AND THEN CAME SUMMER (mix 51 3/11)
AND THEN CAME SUMMER (mix 50 3/11)
AND THEN CAME SUMMER (mix 49 3/11)
AND THEN CAME SUMMER (MIX 48 3/10)
AND THEN CAME SUMMER (mix 47 3/10 noWah Solo)
AND THEN CAME SUMMER (mix 46 3/10 w/wah solo)
AND THEN CAME SUMMER (MIX 45 3/10 no wah solo)
AND THEN CAME SUMMER (mix 44 3/10)
AND THEN CAME SUMMER (mix 43 3/10)
AND THEN CAME SUMMER (mix 42 3/9)
AND THEN CAME SUMMER (mix 41 3/9)
AND THEN CAME SUMMER (mix 40 3/9)
AND THEN CAME SUMMER (mix39 3/8)
AND THEN CAME SUMMER (mix 38 3/8)
AND THEN CAME SUMMER (mix 37 3/8)
AND THEN CAME SUMMER (mix 36 3/7)
AND THEN CAME SUMMER (mix34 3/2)
AND THEN CAME SUMMER (mix33 3/2)
AND THEN CAME SUMMER (mix 32 3/2)
AND THEN CAME SUMMER (mix 31 3/2)
THEN CAME SUMMER (mix 71 3/1/24)
AND THEN CAME SUMMER (mix30simple fadeIn)
AND THEN CAME SUMMER (mix28LINfade)
AND THEN CAME SUMMER (MIX29)
AND THEN CAME SUMMER (MIX28)
AND THEN CAME SUMMER (MIX27)
AND THEN CAME SUMMER (mix26)
AND THEN CAME SUMMER (mix25)
AND THEN CAME SUMMER (MIX24)
AND THEN COME SUMMER (MIX23)
AND THEN CAME SUMMER (mix 21)
AND THEN CAME SUMMER (mix 20)
AND THEN CAME SUMMER (mix19)
AND THEN CAME SUMMER (mix18)
AND THEN CAME SUMMER (mix17)
AND THEN CAMEVSUMMER (mix 16)
AND THEN CAME SUMMER mix(15 – 2 trk of guitar)
AND THEN CAME SUMMER ( mix13 old eq)
AND THEN CAME SUMMER (mix 12)
AND THEN CAME SUMMER (mix11)
AND THEN CAME SUMMER ( mix10)
AND THEN CAME SUMMER (mix9)
AND THEN CAME SUMMER ( mix8)
AND THEN CAME SUMMER (mix7)
AND THEN CAME SUMMER (mix6)
AND THEN CAME SUMMER (mix4)
AND THEN CAME SUMMER (MIX3x)
COOL BLUES (MIX 100, Mel B-1.40to-2.20, -5.28to-6.20, -6.20to-7.40, -7.38to-6.50, -8.80to-9.5, -8.25to-9.50)
COOL BLUES (mix 99, raised Mel A GR700 -24/-24.7 to -22.5/-22.9)
COOL BLUES (mix 98 , raised organ vol -12.5 to -8.5)
COOL BLUES (mix 97, LOWERED organ vol -11 to -12.5)
COOL BLUES (mix 96 , raised organ vol -14 to -11)
COOL BLUES (mix 95 , lowered organ -7 to -14)
COOL BLUES (mix 93. seperate moog1 & moog2 trks vol -17 to -16)
COOL BLUES (mix 92,moved moog2 to moog1 trk and moog1 vol -17 to -16)
COOL BLUES (mix 91, muted Moog2)
COOL BLUES (mix 90, sn-Ieft HH-R on SD3 output 1&2)
COOL BLUES (mix 89, moog 1&2 panned to @ R24)
COOL BLUES (MIX 88, stereo moog from intro end to outro)
COOL BLUES (MIX 87, stereo moog incl/ intro until outro)
COOL BLUES (mix 86 moog mel hard right)
COOL BLUES (mix 85 matched volume L&R)
COOL BLUES (mix 84 added moog lick on guitar mel)
——-
COOL BLUES (mix 83 added missing drums, raised drum vol)
COOL BLUES (mix 81, 11/1, added jb Vox box to vox2 , lowered the spike in first not out outdo)
COOL BLUES (lowers bass guitar from -.80/-12.5/-13.5 to -6.5/-18.2/-29.2)
COOL BLUES (mix 79 reduced vocal one volume-2, raised Mel beef one point, raised volume of outro solo +2)
COOL BLUES (mix 77 10/26; lowered GR700 -20/-21.8 to -24/24.8 and lowered treble boost)
COOL BLUES ( mix 75 10/24/24; added talkbox Vox2 , brought out Mel B and Snare drum more)
COOL BLUES (mix 74 5/10/24, added spatial max, lowered mel A gr700 L & R -20 to -22/-21 to -22.9)
COOL BLUES (mix 73 4/30, raised Bs Drm kicks just before “cool Blues” vox)
*NO MIX 72
COOL BLUES (mix 71 4/24 randomized drums)
COOL BLUES (mix 70 altered bridge HH)
COOL BLUES ( mix 69 3/24 x’d out click bass @ 17)
COOL BLUES (mix 68 3/21 copy of tk65 w/vol lowr moog @ vox)
COOL BLUES (mix 67 3/21 lowd moog vol to tk 65)
COOL BLUES (mix 66 3/21 upvol moog mel .1)
COOL BLUES (mix 65 3/21 lowered moog mel vol)
COOL BLUES (mix 64 3/21) lowered moog mel
COOL BLUES (mix 63 3/21) mix 62 tweeked
COOL BLUES (mix 62 3/21) ring mod on moog mel
COOL BLUES (mix 61 3/20 louder synth mel)
COOL BLUES (mix 60 3/20)
COOL BLUES (MIX 70 +melSynth)
COOL BLUES (mix59)
COOL BLUES (mix58 new rhy line)
COOL BLUES (mix57 new rhy line)
COOL BLUES (mix56 repl guit. Rhy w/ keys)
COOL BLUES (mix55 3 mics in 2 new bass)
COOL BLUES (mix53 3 mics in2)
COOL BLUES (mix52 new bass rm,cl,dir in2)
COOL BLUES (mix51 new bass -13.5)
COOL BLUES (mix50 new bass -12.5)
COOL BLUES TK 2 Vox
COOL BLUES Ht1
COOL BLUES (Mix34 louder wah rhy section A)
————————————————————————————-
Wind Dance (no Rkmn)
Wind Dance (Rkmn -16.5)
Wind Dance (rkmn -11)
Wind Dance (orig.)
MASTERED (Bass issue)
WIND DANCE 3.01 (original master using mastering rack)
—————————————————-
WIND DANCE MD1 W/mikes EQ setting suggestions
—————————————————-
WIND DANCE MD1 EQ, COMPRESS
————————————————
WIND DANCE MD1 EQ, COMP, ST. EXP
———————————————
Settings used for all of the above):
